Returning to the Roots: My Journey with Pinhole Photography
Ever since I first discovered photography, I developed a special attachment to the process of shooting on film. I relished in the magic associated with film and spent countless hours in the darkroom, developing my own prints. However, as digital technology advanced, photography became more accessible and convenient with digital cameras. I made the transition to digital, but a longing for the era of film always remained.
I always enjoyed experimenting with long exposures in photography. I understood that such images not only captured moments but also preserved time and emotions. The movement of time and the effect of blur added a unique atmosphere and depth to the images.
That’s when I stumbled upon pinhole photography. Pinhole is the simplest form of camera without a lens, where the image is formed through a tiny aperture. Due to the very small diameter of the pinhole, the exposures in such photos become much longer. This allows for the creation of unique effects of motion and blur.
My adventure with pinhole photography began with the Holga panoramic camera. It combines simplicity with the ability to capture wide-format images. The long exposures and straightforward controls add even more character and authenticity to the photographs.
Pinhole photography became a way for me to reconnect with the roots of art. In it, I found a fusion of nostalgia for film, the magic of long exposures, and the ability to create unique abstract images. This photographic technique not only allows me to express my creativity but also establishes a profound connection with art, time, and myself.
